
The Portland, Oregon based, Willamette
Radio Workshop is a professional audio theater company producing
both
both new scripts, and re-imaginings of Golden Age OTR productions,
both live and in the studio. They are dedicated to the belief that
the
audio theater medium has a powerful ongoing role to play in our
world. They also host the "Writers on the Air" Workshop
each year, developing new scripts from new writers, and producing
as many of the new works as possible.
The
Workshop has won multiple Ogle Awards from The American Society
For Science Fiction Audio ( Murder of Crows, Frankenstein, Next
Year’s Girl). They have been featured in several newspaper
articles as well as stories on radio, television and a feature
story in Horizon Air Magazine. They broadcast many of their stories
on Stage and Studio with Dmae Roberts on KBOO 90.7 fm
Sam A. Mowry is the Artistic Director --
a man who you would swear has inherited the voice (and the artistic
vision) of Orson Welles.
Cynthia McGean is a script writer, and runs the Writer’s
Workshop. Robert Kowal is the Live Sound Engineer and
Producer. Martin Gallagher and Marc Rose are the resident Sound
Designers and Composers.
|
Next Year's Girl
Each
year a small village must send one of its young girls to meet
an unknown fate with the "Beast" who lives on the hill.
This year's girl has exceptional courage. Will she be able to save
next year's
girl from the same fate?
A Murder of Crows
Three
original tales of intrigue and terror -- each one spine-chillingly
performed. Three different women run from three quite different,
and quite inescapable fates.
|
Frankenstein
Mary
Shelly's original tale of terror, of the limits of science, and of
the folly of playing god. Well told, and remarkably true to the
original novel, here is a production to keep you up at nights.
The Fall of the City
It
is 1937, Fascism is advancing across Europe, and poet Archibald MacLeish
writes for American radio "The Fall of the City" -- a cautionary
tale not only about the times then, and remarkably, about the times
now, and all times.
. |